Celebrate Filipino American History Month and the beginning of the joyful ‘ber’ months with us at MoMA PS1!
On Saturday, October 4 at 2PM, artist Maria Arenas will lead a hands-on workshop where you’ll paint Capiz parols—traditional Filipino lanterns that shine with light, resilience, and community spirit.
RVSP required by October 14! For one evening, King Manor Museum, a historic home significant in the early 19th century anti-slavery movement in the United States, hosts a sound installation from the project Sounding Data Justice, a collaborative effort between Eastern Queens Alliance, Inc., York College CUNY and SUNY Buffalo.The installation will transform the rooms of the museum into spaces for listening to invite reflection on the long history of today's environmental justice issues. This event is part of the SPCUNY 2025-2026 faculty fellowship project, the Jamaica Forum for Public Art Otherwise.
As part of the Jamaica Forum for Public Art Otherwise, Queens-based artist Shervone Neckles presents the first in a series of three Wellness Activities that accompany her exhibition, Steeping Memory, at the York College Arts Gallery in Jamaica, Queens. At this first activity, fellow Queens-based eco-artist and educator Elizabeth Velazquez will guide participants in an exploration of plant propagation with herbs like lemon balm, oregano brujo, and mint for self-care and healing. This event is part of the Jamaica Forum for Public Art Otherwise initiative with SPCUNY.
What happens when institutions face systematic destruction? Five leading social practice art educators (Claire Bishop, Tania Bruguera, Tom Finkelpearl, Pablo Helguera, and Gregory Sholette) confront the present. This is the first installation in How Do We ______ in Public?, a free public programming series produced by Social Practice CUNY consisting of four experimental events taking place across New York City throughout 2026.
ALAY is a durational mourning ritual performance by Dorothea Gloria, rooted in Ilocano traditions of grief, remembrance, and offering.
