Poster by Abygai Peña

ALAY is a mourning ritual performance created and performed by Dorothea Gloria, rooted in Ilocano traditions of grief, remembrance, and offering. Drawing from ancestral practices of lamentation, prayer, and embodied devotion, the work explores how grief lives in the body and how ritual can hold what language cannot.

Positioned at the intersection of performance, ritual, and social practice, ALAY treats mourning as a living, communal practice. Through gesture, repetition, sound, and presence, the performance creates a shared space where grief is witnessed rather than explained, and where collective attention becomes an act of care.

ALAY reframes mourning as relational and expansive. The performance asks: What does it mean to mourn together? How might ritual be adapted and reimagined within contemporary performance practice? And how can ancestral knowledge inform present-day modes of gathering, remembrance, and healing?

ALAY functions both as a performance and an offering to our ancestors, to the community, and to those carrying unspoken or unresolved grief. Audiences are invited into an intimate ritual space that prioritizes presence over spectacle and process over product, foregrounding mourning as a shared human experience rather than an individual burden.

Created and performed by Dorothea Gloria, ALAY reflects Gloria’s ongoing artistic practice of exploring theater as ritual. The work builds a bridge between inherited ceremonial practices and contemporary performance, offering a space to sit with loss, tenderness, and collective remembrance.

ALAY is a durational performance. Audience can enter and exit at any point throughout the performance time.